DEFOLOGY
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Def Soul's Money

7:14 PM
Money is the comprehensive source for Def's personal finance needs.

Def is now, in the mist of making money...Through the ages, money has become not only a medium of exchange and a unit and store of value, but also a historical document on the culture, religion and everything he do.

Financial literacy is understanding what money is about, while financial capacity is knowing how to use his money so that he can tie in with even prime minister's idea of a new economic model, which is a high value-added culture and way of operating.

Def compiled opportunities, ideas and concepts that people have used to generate income either as a part-time activity or as a full scale business. Some may seem very ordinary, some a little offbeat - but every one of our ideas to make money can be developed into a successful home based business or small business!That's the philosophy behind Money Ideas of Def.

These business ideas and small business opportunities are realistic and practical, waiting for the someone like YOU.
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Toruk Makto of Def Soul

6:13 PM
The Great Leonopteryx, is an airborne predator native to Pandora. It is scientifically known as Gavilandora maxima.. this ain't Leonopteryx.. But The one Known As Ford Ranger XL.. Ain't at Pandora but Ma own Neighborhood..Its My ride...
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Def Soul to Def Style

11:21 PM
Def Soul A.K.A Def Style  


New Era


New Name


New Path


New Voyage
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Cornrows(Tips, Warnings, and Things You'll Need)

10:11 PM
TIPS
  • People with straighter or slicker hair may need to use what is called "aqua wax" or a protein hair gel to help the style last, and to preclude the need for extra tension during styling.
  • If you do not wish to wet the hair first, you may consider at least using a hair cream or hair mask or leave in conditioner. (However if you wet fragile hair it could cause breakage because hair shrinks as it dries.) Some people don't like to wet the hair, and this is fine. However, if you don't, you will need to be extra mindful of tension. Use a featherlight touch.
  • Precise braiding, not pulling hard from the scalp, is what makes a long lasting style. Pulling too hard from the scalp does nothing to help a style to last. It only leads to pain and hair loss.
  • Hair can be washed with cornrows in. Simply wear a stocking cap over it, and use a shower massager or water pick to force water underneath the braids. Use a diluted shampoo and water mixture to wash, clear water to rinse, and spritz the hair with a leave in conditioner or hair oil afterwards.
  • If you tuck the hair under, you are making an "invisible" track braid, and if you reach for hair from beneath outwards, you are making a "visible" track braid.
  • People with fine or sleek, straight hair may want to use some sort of braid spray to help make the hair "stickier" so that the braid does not fall out as it's being put in the slicker, fine hair.
  • Narrow braids stay in longer than larger ones.


WARNINGS

  • This style should not hurt. If you can see the scalp is raised, or the person is complaining that it's painful, back it up and start over. Too much braid tension can cause traction alopecia (a specific type of hair loss), and it might be permanent. It can also lead to infections and irritations.
  • To keep braids in place, use a moisturizing flexible hair gel or aqua wax during styling.
  • Wear a scarf or durag while sleeping, and braids will stay for up to one week. After that they'll probably need to be redone, depending on how thick the rows are.
  • For curlier or "nappy" hair, braids can last for up to a month.


THINGS YOU'LL NEED

  • A rat tailed comb. These can be found at many beauty supply stores, but if you can't find one, the end of a tint brush may suffice.
  • Coated rubber bands for hair.
  • Plenty of time.
  • Be careful in the sun. It is very easy to get a sunburn on your scalp, because the rows will expose the skin. Rub in sunscreen or wear a hat.
  • You may need hair grease and/or aqua wax.
    • For straight hair you may need to use a hair wax that is based on distilled water, not oil. It looks sort of like a firm gel. Aquarius Wax and Ice Wax are good ones. Butch Wax may do the job, but it is a little oily.
    • Very tightly curly hair should be treated with a moisturizer that does not break down too soon. This excludes most hair creams. The best thing to use is a hair food or hair grease, or a natural oil mixture.
  • Spray bottle to dampen if hair gets too dry.
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Cornrows (How to Braid Cornrows in 7 Steps)

9:35 PM
Cornrows are a popular African style of braiding the hair along the scalp. They are also known as "underhand track braids". It's a traditional art that anyone who has the patience can learn, but it takes some time and skill to master. This article will help you get started with the basics while avoiding some of the mistakes beginners often make.



7 Steps

  1. Plan your style. Having in mind what your end goal looks like will help you to form a path for getting there. You can do this in your head, draw a picture, or make some marks on a Styrofoam wig holder. The easiest amount to begin with will probably be four to six sections from the front to the back of the head.
  2. Spritz some water, or water mixed with detangler, on the hair. Comb or brush it through to remove all major tangles. The hair should be slightly damp, but not too wet. The reason for this is that you don't want to have to pull the hair a lot to create the tension needed to hold the style together. Hair contracts when it's wet and expands as it dries. Despite what some people say about a tight braid, this is the best way to achieve it - not by pulling the hair hard away from the scalp.
  3. Part a section of hair that you would like the cornrow to follow along. put the sides of the hair that you aren't braiding in two pigtails so they don't get in your way. Move other hair out of the way so that you have a clear path to follow. Then take a small section of hair where you want the cornrow to begin. Don't take too much, especially near the hairline, or you will have to pull too hard to continue.
  4. Separate that small section into three strands and make a normal braid of about 2 "stitches" to get it started.
  5. Holding the two outer strands aside, reach down under this initial braid to add a little hair to the middle strand. Fully merge this new hair to the middle strand so that it becomes a part of it, and you again have 3 strands. Make a braid stitch out of these strands.
  6. Continue braiding, each time adding a little more hair to the middle strand, and repeat this until you've run out of hair to add. If you've reach the end and there is still hair left over, then continue with a regular 3 strand braid.
  7. Secure the cornrow with a snap bead, hair clip, end bar, barrette, bolo tie tip, or whatever you like, just so long as you will be able to easily remove it later. Uncovered rubber bands (elastics) are not recommended unless they are the kind made specifically for hair. The ones made for office use will break off the hair.

Try 'em out....
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Cornrows

7:45 PM
Cornrows (or canerows) are a traditional style of hair grooming where the hair is braided very close to the scalp, using an underhand, upward motion to produce a continuous, raised row. Cornrows are often formed, as the name implies, in simple, straight lines, but they can also be done in complicated geometric or curvilinear designs. Often favored for their easy maintenance, cornrows can be left in for weeks at a time simply by carefully washing the hair and then regularly oiling the scalp and hair. Cornrowed hairstyles are often adorned with beads or cowry shells, in the African tradition. Depending on the region of the world, cornrows are typically worn by either men or women.



History

A common way of styling hair among populations across the African continent, cornrows survived for centuries in the United States and other parts of the New World as a style of hair preparation among enslaved Africans and their progeny. In 1963, when most African American women were loath to be seen in public with unstraightened hair, actress Cicely Tyson drew immediate notice when she sported cornrows on the popular network television series East Side/West Side. The style gained wide popularity in the United States in the late 1960s and 1970s as part of the Black Nationalist Movement, when the trend was for Black Americans expressing natural afro-hair to reject straightening their hair in favor of hairstyles that highlight their "natural" hair texture. Afros, strands of hair twisted into tight coils or wound with twine, and the wearing of geles (in Yoruba, colorful, often elaborately wrapped head cloths) are among the commonplace African styles adopted by African American women.

In the wake of the Black Pride Movement, hundreds of beauty shops and salons sprang up across the United States delivering services exclusively, or as part of a range of options, to blacks who prefer natural (unstraightened) hairstyles. Many salons specialize in hair wrapping and braiding techniques, executing styles which can be exceedingly time-consuming and expensive. Cornrow styles can take hours to complete, sometimes necessitating two or more salon visits. The trade off in the cost in time and money expended is that a well-executed, braided style can last a month or more without restyling, if properly groomed and cared for—and if executed on the naturally coarse, tightly coiled hair typically possessed by people of sub-Saharan African descent.

Cornrows also enjoyed some popularity among Caucasians after blonde actress Bo Derek wore beaded cornrows in the popular Blake Edwards movie, and became widely popular once again with the spread of hip-hop culture in the 1990s. Cornrow hairstyles are now often offered to tourists in resort areas of the Caribbean.

People of African ancestry in many different regions of the world wear cornrows. However, some controversy over them has emerged in Nigeria, where hair braiding among men is alleged to be a sign of homosexuality. Some feel that times are changing and men wearing braids is part of the change. It is a hairstyle that stands out.

Over the years, cornrows have been the subject of several disputes in the American workplace. Some employers have deemed them unsuitable for the office and have banned them - especially at-will firings and/or termination. African American employees and civil rights groups have countered that such attitudes evidence racial and cultural bias. Some such disputes have resulted in litigation.

Braids pulled too tight or worn for considerable lengths of time can cause a type of hair loss known as traction alopecia.
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HIP HOP ETYMOLOGY

5:53 PM

The word "hip" was used as African American Vernacular English (AAVE) as early as 1904. The colloquial language meant "informed" or "current," and was likely derived from the earlier form hep.

Keith "Cowboy" Wiggins, a rapper with Grandmaster Flash and the Furious Five has been credited with the coining of the term hip hop in 1978 while teasing a friend who had just joined the US Army, by scat singing the words "hip/hop/hip/hop" in a way that mimicked the rhythmic cadence of marching soldiers. Cowboy later worked the "hip hop" cadence into a part of his stage performance. The group frequently performed with disco artists who would refer to this new type of MC / DJ produced music by calling them "those hip-hoppers". The name was originally meant as sign of disrespect, but was soon came to identify this new music and culture. Other artists quickly copied the Furious Five and began using the term in their music; for example the opening of the song "Rapper's Delight" by The Sugarhill Gang in addition the verse found on Grandmaster Flash and the Furious Five's own "Supperrappin", both released in 1979. Lovebug Starski, and DJ Hollywood then began using the term when referring to this new disco rap music. Hip hop pioneer and South Bronx community leader Afrika Bambaataa also credits Lovebug Starski, a Bronx DJ who put out a single called "The Positive Life" in 1981, as the first to use of the term "Hip Hop," as it relates to the culture. Bambaataa, a former Black Spades gang member also did much to further popularize the term.
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HIP HOP HISTORY

5:34 PM

Jamaican born DJ Clive "Kool Herc" Campbell is credited as originating hip hop music, in the Bronx, New York, after moving to New York at the age of thirteen. Herc created the blueprint for hip hop music and culture by building upon the Jamaican tradition of toasting, or boasting impromptu poetry and sayings over music, which he witnessed as a child in Jamaica.

Herc and other DJs would tap into the power lines to connect their equipment and perform, at venues such as public basketball courts and the historic building "where hip hop was born," 1520 Sedgwick Avenue, Bronx, New York. Their equipment was composed of huge stacks of speakers, turntables, and one or more microphones.Herc was also the developer of break-beat deejaying, where the breaks of funk songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties. This breakbeat DJing, using hard funk, rock, and records with Latin percussion, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment we now know as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically".Herc's terms b-boy, b-girl and breaking became part of the lexicon of hip hop culture, before that culture itself had developed a name.

Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy Jay refined and developed the use of breakbeats, including cutting and scratching.The approach used by Herc was soon widely copied, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular tunes included Kurtis Blow's "The Breaks (song)", and The Sugar Hill Gang's "Rapper's Delight."

Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered over a beat or without accompaniment. Rapping is derived from the griots (folk poets) of West Africa, and Jamaican-style toasting. Rap developed both inside and outside of hip hop culture, and began with the street parties thrown in the Bronx neighborhood of New York in the 1970s by Kool Herc and others. It originated as MCs would talk over the music to promote their DJ, promote other dance parties, take light-hearted jabs at other lyricists, or talk about problems in their areas and issues facing the community as a whole.

Melle Mel, a rapper/lyricist with The Furious Five, is often credited with being the first rap lyricist to call himself an "MC".

Hip hop as a culture was further defined in 1983, when Afrika Bambaataa and the Soulsonic Force released a track called "Planet Rock." Instead of simply rapping over disco beats, Bambaataa created an innovative electronic sound, taking advantage of the rapidly improving drum machine and synthesizer technology. The appearance of music videos changed entertainment: they often glorified urban neighborhoods.The music video for Planet Rock showcased the subculture of hip hop musicians, graffiti artists and breakdancers. Many hip hop-related films were released between 1983 and 1985, among them Wild Style, Beat Street, Krush Groove, Breakin, and the documentary Style Wars.

These films expanded the appeal of hip hop beyond the boundaries of New York. By 1985, youth worldwide were laying down scrap linoleum or cardboard, setting down portable "boombox" stereos and spinning on their backs in Adidas tracksuits and sneakers to music by Run DMC, LL Cool J, the Fat Boys, Herbie Hancock, EPMD, Soulsonic Force, Jazzy Jay, Dr. Jeckyll and Mr. Hyde, and Stetsasonic, just to name a few. The hip hop artwork and "slang" of US urban communities quickly found its way to Europe and Asia, as the culture's global appeal took root.

The 1980s also saw many artists make social statements through hip hop. In 1982, Melle Mel and Duke Bootee recorded "The Message" (officially credited to Grandmaster Flash & The Furious Five), a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos."

During the 1980s, hip hop also embraced the creation of rhythm by using the human body, via the vocal percussion technique of beatboxing. Early pioneers such as Doug E. Fresh, Biz Markie, and Buffy from the Fat Boys made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" artists would also sing or imitate turntablism scratching or other instrument sounds.
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HIP HOP

5:10 PM

Hip hop is a cultural movement which developed in New York City in the 1970s primarily among African Americans.Its four main elements are rapping, DJing, graffiti, and b-boying (breakdancing). Other elements include beat boxing, hip hop fashion, and slang. Since first emerging in The Bronx, the lifestyle of hip hop culture has spread around the world.
When hip hop music began to emerge, it was based around DJs who created rhythmic beats by looping breaks (smalls portions of songs emphasizing a percussive pattern) on two turntables. This was later accompanied by "rapping" (a rhythmic style of chanting). An original form of dancing, and particular styles of dress, arose among followers of this new music. These elements experienced considerable refinement and development over the course of the history of the culture. The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a heavy overlap between those who wrote and those who practiced other elements of the culture. Beatboxing is a mainly percussive vocal form in which various technical effects of hip hop DJs are imitated.
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